Cinematic motion design, expression-driven workflows, and the plugins that come out of building both for years. If your brand needs to move — or your AE timeline needs to stop fighting you — you're in the right place.
I've been in motion design for three years — no dramatic backstory, I just love doing it. Somewhere along the way I got tired of After Effects slowing me down, so I started building my own tools instead of waiting for someone else to. That's how Absolute and ExpressionLib happened. Everything I make — animation or software — runs on the same principle: move fast, don't drop quality.
Fast turnarounds that don't cost you quality. I've built my own tools specifically so I don't waste hours on repetitive tasks — that time goes straight into making the actual animation better. You get more polish in less time, not the other way around.
Constantly refining the craft, the tools, and the workflow. I'm never running the same setup two projects in a row — if something can be faster or look sharper, I rebuild it. Every project benefits from whatever I figured out on the last one.
Working together won't feel like filling out a tax form. I take the work seriously, not myself — feedback calls are actually enjoyable, and deadlines don't have to mean stress. Good vibes are part of the package, no extra invoice line.
No radio silence, no vanishing acts until the deadline. You'll get regular updates and an honest heads-up the moment something needs your input, not a surprise two days before delivery. Clear communication, start to finish, every time.
Fast turnarounds that don't cost you quality. I've built my own tools specifically so I don't waste hours on repetitive tasks — that time goes straight into making the actual animation better. You get more polish in less time, not the other way around.
Constantly refining the craft, the tools, and the workflow. I'm never running the same setup two projects in a row — if something can be faster or look sharper, I rebuild it. Every project benefits from whatever I figured out on the last one.
Working together won't feel like filling out a tax form. I take the work seriously, not myself — feedback calls are actually enjoyable, and deadlines don't have to mean stress. Good vibes are part of the package, no extra invoice line.
No radio silence, no vanishing acts until the deadline. You'll get regular updates and an honest heads-up the moment something needs your input, not a surprise two days before delivery. Clear communication, start to finish, every time.
I create captivating 2D motion design that brings any brand to life — blending sharp animation, storytelling, and the After Effects tools I build myself, to elevate content and drive impact across every industry and platform.
We start with a quick conversation about what you actually need — goals, audience, deadline, and whether you've already got a script or storyboard. No jargon, no guessing games, just enough context to know exactly where this is going.
I collect all the raw material — footage, references, brand assets — and map out the approach before touching a single frame. If there's no script or storyboard yet, we sort that out here too, so production doesn't stall halfway through.
For anything with a visual identity to nail down, I put together styleframes or a quick moodboard so we're aligned on the look before the real work starts. This is the cheap place to make changes — much easier here than after full animation.
Final files, rendered and optimized for wherever they're going — social, broadcast, web. A round of revisions is built in, and I stick around after delivery in case anything needs a tweak.
This is where the actual editing and animation happen — cutting, motion, sound sync, all of it. You'll get progress updates along the way, not radio silence until the deadline.
The more you give me upfront, the faster we figure out if it's a fit. No account needed, no 10-step wizard — just the essentials.
Not ready for the full brief? Just say hi — email or DM works fine.
